Barry Manilow - Copacabana 1978

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Midi playing "Copacabana" by Barry Manilow. To download midi click on title. DO NOT directly link to this file. When in doubt view the TERMS OF USE

<Latin percussion and strings> Her name was Lola, she was a showgirl With yellow feathers in her hair and a dress cut down to there She would merengue and do the cha-cha And while she tried to be a star, Tony always tended bar Across a crowded floor, they worked from 8 till 4 They were young and they had each other Who could ask for more? At the Copa (CO!), Copacabana (Copacabana) The hottest spot north of Havana (here) At the Copa (CO!), Copacabana Music and passion were always the fashion At the Copa....they fell in love (Copa Copacabana) His name was Rico, he wore a diamond He was escorted to his chair, he saw Lola dancin' there And when she finished, he called her over But Rico went a bit too far, Tony sailed across the bar And then the punches flew and chairs were smashed in two There was blood and a single gun shot But just who shot who? At the Copa (CO!), Copacabana (Copacabana) The hottest spot north of Havana (here) At the Copa (CO!), Copacabana Music and passion were always the fashion At the Copa....she lost her love (Copa. . Copacabana) (Copa Copacabana) (Copacabana, ahh ahh ahh ahh) (Ahh ahh ahh ahh Copa Copacabana) (Talking Havana have a banana) (Music and passion...always the fash--shun) <Latin percussion interlude> Her name is Lola, she was a showgirl But that was 30 years ago, when they used to have a show Now it's a disco, but not for Lola Still in the dress she used to wear, faded feathers in her hair She sits there so refined, and drinks herself half-blind She lost her youth and she lost her Tony Now she's lost her mind! At the Copa (CO!), Copacabana (Copacabana) The hottest spot north of Havana (here) At the Copa (CO!), Copacabana Music and passion were always the fashion At the Copa....don't fall in love (Copa) don't fall in love Copacabana Copacabana

Brief biography courtesy of Wikipedia
Barry Manilow is an American singer and songwriter best known for his recordings "I Write the Songs", "Mandy" and "Copacabana". His career achievements include selling more than 75 million records worldwide. In 1978, five of his albums were on the best-selling charts simultaneously, a feat equalled only by Frank Sinatra and Johnny Mathis. He has recorded a string of Billboard hit singles and multi-platinum albums that have resulted in his being named Radio & Records number one Adult Contemporary artist and winning the American Music Award for Favorite Pop/Rock Male Artist for three consecutive years. Several well-known entertainers have given Manilow their "stamp of approval," including Sinatra, who was quoted in the 1970s regarding Manilow, "He's next." In 1988, Bob Dylan stopped Manilow at a party, hugged him and said, "Don't stop what you're doing, man. We're all inspired by you." Arsenio Hall cited him as a favorite guest on The Arsenio Hall Show and admonished his audience to respect him for his work. As well as producing and arranging albums for other artists, such as Bette Midler, Dionne Warwick and Rosemary Clooney, Manilow has also written songs for musicals and movies. Since February 2005, he has been the headliner at the Las Vegas Hilton. Manilow was born Barry Alan Pincus on June 17, 1943[2] in Brooklyn, New York. His parents, Harold Kelliher and Edna Manilow (who died in 1993 and 1994 respectively), were of Russian Jewish ancestry. His father originally named his son after Barry's paternal grandmother, whose maiden name was Pincus, but Barry's mother later had the name legally changed to Manilow. His parents were divorced when he was two years old, after which he was raised by his mother and maternal grandparents, Joseph and Esther Manilow, in the Williamsburg section of Brooklyn. His grandparents had a strong influence on his life. It was they who encouraged him to take up his first musical instrument, the accordion, which was popular in his Jewish and Italian neighborhood. In 1948, at age five, Manilow recorded "Happy Birthday" with his grandfather in a coin-operated recording booth as a present for his cousin Dennis. Twenty five years later, a sample of this recording, known as "Sing It", served as the opening track on his first album. When Manilow's mother remarried, his stepfather, Willie Murphy, brought an extensive collection of jazz and swing records into the house. Manilow listened to these records constantly, coming to idolize such conductors and composers as Harold Arlen, Irving Berlin, Leonard Bernstein, Cole Porter and Nelson Riddle. It was Willie who gave him a piano for his 13th birthday in 1956, the year of his Bar Mitzvah. At this point, his mother legally changed her surname and Barry's to her maiden name, "Manilow". Over the next few years, he started to perform locally for small businesses and parties. He graduated from Eastern District High School in 1961. Following graduation, Manilow enrolled at the New York College of Music and Juilliard, while working in the mailroom at CBS to pay his expenses. At CBS in 1964, the 21-year-old Manilow met Bro Herrod, a director, who asked him to arrange some public domain songs for a musical adaptation of the melodrama, The Drunkard. Instead, he wrote an entire original score. The musical became a success and ran Off-Broadway for eight years at the 13th Street Theatre in New York. Also in 1964, Manilow married his high school sweetheart Susan Deixler. However, his dedication to his musical interests caused tension in the marriage. When he was 22, he sought advice about whether to take up music full-time from a column in Playboy magazine, which published his letter in its December, 1965 issue and recommended that he go "sow your notes". On January 6, 1966, Manilow and Deixler signed the annulment decree she filed after he asked for a divorce. He earned his money by working as a pianist, producer and arranger. Manilow has said of that time that he played piano for anybody, "If the check cleared, I was there." Manilow worked as a commercial jingle writer/singer, an activity that continued well into the 1970s. He penned many of the jingles that he performed, including those for Bowlene Toilet Cleaner, State Farm Insurance, Stridex acne cleanser and Band-Aid, amongst others. His singing-only credits included Kentucky Fried Chicken, Pepsi, Jack in the Box, Dr Pepper, and the famed McDonald's "You Deserve a Break Today" campaign. Manilow won two Clio Awards in 1976 for his work for Tab and Band-Aid. By 1967, Manilow was the musical director for the WCBS-TV series Callback. He next conducted and arranged for Ed Sullivan's production company, arranging a new theme for The Late Show, while still writing, producing and singing his now-notorious radio and television jingles. At the same time, he and Jeanne Lucas performed as a duo for a two-season run at New York's Upstairs at the Downstairs club. Manilow's association with Bette Midler began at the Continental Baths in New York City. He accompanied her and other artists from 1970 to 1971, and Midler chose him to assist with the production of her first two albums The Divine Miss M (1972) and Bette Midler (1973) and act as her musical director on the The Divine Miss M tour. Later, when Manilow had an album of his own released, she allowed him to sing three songs during her intermissions. Altogether, Manilow worked with Midler for four years, from 1971 to 1975. In 1973, Bell Records released Manilow's first album, Barry Manilow, which offered an eclectic mix of piano-driven pop and guitar-driven rock music. The album included the song that Manilow had composed for the 1972 war drama Parades. On its original release, the album did not achieve chart success. As a result of a corporate takeover, Bell Records, along with other labels, was merged into a new entity named Arista Records, under the leadership of Clive Davis, who seized the opportunity to drop many artists. However, after seeing Manilow perform as the opening act at a Dionne Warwick concert, he was convinced that he had a winner on his hands, and a mentorship lasting decades resulted. The partnership began to bear fruit in 1974, with the release of Manilow's second album, Barry Manilow II, on both Bell and Arista, which contained the breakthrough number-one hit, "Mandy". Ironically, Manilow had not wanted to record "Mandy" as he hadn't written it - the song was included at the insistence of Clive Davis. After the success of Barry Manilow II, the first Bell release was re-mixed and re-issued as Barry Manilow I. When Manilow went on his first tour, he included as part of his show "A Very Strange Medley", a sampling some of the commercial jingles that he had written or sung. Beginning with Manilow's March 22, 1975 appearance on American Bandstand to promote Barry Manilow II (where he sang "Mandy" and "It's A Miracle"), a productive friendship with Dick Clark started. Numerous appearances by Manilow on Clark's productions of Dick Clark's New Year's Rockin' Eve, singing his original seasonal favorite "It's Just Another New Year's Eve", American Bandstand anniversary shows, American Music Awards performances and his 1985 television movie Copacabana are among their projects together. "Mandy" was the start of a string of hit singles and albums that lasted through the rest of the 1970s, to the early 1980s, coming from the multi-platinum and multi-hit albums Tryin' to Get the Feeling, This One's for You, Even Now and One Voice. Despite being a solid songwriter in his own right, Manilow has had great success with songs by others. He did not compose, or receive any composer credit on "Mandy", "TryinÕ to Get the Feeling Again", "Weekend in New England", "Looks Like We Made It", "Can't Smile Without You", and "Ready to Take a Chance Again." "I Write The Songs", for example, was written by Bruce Johnston of The Beach Boys. He did, however, co-produce them with Ron Dante and arrange them. Manilow's breakthrough in Britain came with the release of Manilow Magic - The Best Of Barry Manilow also known as Greatest Hits. On its initial release it was accompanied by a large television advertising campaign and the album was only available via mail order on the "Teledisc" label. In the late 1970s and early 1980s, ABC aired four variety television specials starring and executive produced by Barry Manilow. The Barry Manilow Special with Penny Marshall as his guest premiered on March 2, 1977 to an audience of 37 million. The breakthrough special was nominated for four Emmys and won in the category of "Outstanding Comedy-Variety or Music Special". The Second Barry Manilow Special in 1978 with Ray Charles as his guest was also nominated for four Emmys. Manilow's "Ready To Take a Chance Again" and "Copacabana" originated in the film Foul Play. "Ready To Take A Chance Again" was nominated that year for the "Best Original Song". Copacabana would later take the form of a musical television movie starring Manilow and three musical plays. On February 11, 1979, a concert from Manilow's sold out dates at the Greek Theatre in Los Angeles, California was aired on Home Box Office (HBO)'s series, Standing Room Only, which was the first pay-television show to seriously challenge network primetime specials in the ratings. From the same tour in 1978, a one-hour concert special aired in England from Manilow's sold out concert at Royal Albert Hall. On May 23, 1979, ABC aired The Third Barry Manilow Special with John Denver as his guest. This special was nominated for two Emmy awards and won for "Outstanding Achievement in Choreography". This same year Manilow also produced Dionne Warwick's "comeback" album Dionne. The Arista album was her first to go platinum and spawned "I'll Never Love This Way Again" and "Deja Vu". The 1980s gave Manilow the Adult Contemporary chart-topping hit songs "The Old Songs", "Somewhere Down The Road" and "Read 'Em And Weep". Manilow continued having high radio airplay throughout the decade. In England, Manilow had five sold-out performances at the Royal Albert Hall, for which nearly one-half million people vied for the 21,500 available seats. In the United States, he sold out Radio City Music Hall in 1984 for 10 nights and set a box-office sales record of nearly $2 million making him the top draw in the then 52-year history of the Music Hall. In 1980 his One Voice special, with Dionne Warwick as his guest, was nominated for an Emmy for "Outstanding Achievement in Music Direction". Also in 1980, a concert from Manilow's sold-out shows at the Wembley Arena was broadcast while he was on his World Tour. Manilow released the self-titled Barry (1980) which was his first album to not reach the top ten in the United States, stopping at #15. The album contained "I Made It Through The Rain" and "Bermuda Triangle". "We Still Have Time" was featured in the 1980 drama Tribute. The If I Should Love Again album followed in 1981, containing: "The Old Songs", "Let's Hang On" and "Somewhere Down The Road". This was the first of his own albums that Manilow produced without Ron Dante, who had co-produced all the previous albums. Manilow's sold-out concert at the Pittsburgh Civic Arena in Pittsburgh, Pennsylvania was aired nationally on Showtime, and locally on Philadelphia's now-defunct PRISM (a local sports and movie channel). In 1982, a concert from his sold out Royal Albert Hall show was broadcast in England. The live album and video Barry Live in Britain also came from his Royal Albert Hall shows. In August 27, 1983, Manilow performed a landmark open air concert at Blenheim Palace in Britain. It was the first such event ever held at that venue and was attended by a conservative estimate of 40,000 people. In December 1983, it was reported that Manilow established endowments in the music departments at six major universities in the United States and Canada in areas where he performed during world tours. The endowments were part of a continuing endeavor by Manilow to recognize and encourage new musical talent. Since the beginning of his own record career, Manilow reluctantly had allowed his albums to be influenced by record executive Clive Davis, but during his midlife years he began to expand his repertoire by exploring his own musical interests. The result was his 1984 collection of original barroom tunes 2:00 AM Paradise Cafe, a jazz/blues album that was recorded in one live take in the studio. In 1984, Showtime aired a documentry of Manilow recording the album with a number of jazz legends, such as Sarah Vaughn and Mel TormŽ. In 1984 and 1985, England aired two one-hour concert specials from his National Exhibition Centre (NEC) concerts. In 1985 Manilow left Arista Records for RCA Records. There he released the pop album Manilow, and began a phase of international music, as he performed songs and duets in French, Italian, Portuguese and Japanese, among other languages. The Manilow album was a complete about face from the Paradise Cafe album, containing a number of tracks that were of a modern uptempo and synthesized quality. In 1985, Japan aired a concert special Manilow did there where he played "Sakura" on the koto. In his only lead acting role, he portrayed Tony Starr in a 1985 CBS film based on Copacabana that had Annette O'Toole as Lola Lamarr and Joseph Bologna as Rico. This was the first ever made-for-television musical, and was named one of the top TV specials of the year by TV Guide magazine. Manilow penned all the songs for the movie, with lyrics provided by established collaborators Bruce Sussman and Jack Feldman. RCA records also released a soundtrack album of the movie. In October 1986, Manilow, along with Bruce Sussman, Tom Scott, and Charlie Fox went to Washington, D.C. for two days of meetings with legislators, including lunch with then Senator Al Gore (D-TN). They were there to lobby against a copyright bill put forward by local television broadcasters that would mandate songwriter-producer source licensing of theme and incidental music on syndicated television show reruns and would disallow use of the blanket license now in effect. The songwriters said without the blanket license, artists would have to individually negotiate up front with producers, without knowing if a series will be a success. The license now pays according to a per-use formula. Manilow said that such a bill would act as a precedent for broadcasters to get rid of the blanket license entirely. The following year, McGraw-Hill published his autobiography Sweet Life: Adventures on the Way to Paradise which took him about three years to complete. While promoting his autobiography, Manilow defended his music in a telephone interview: "I live in laid-back L.A., but in my heart, I'm an energetic New Yorker and that's what has always come out of my music. I've always been surprised when the critics said I made wimpy, little ballads". Manilow returned to Arista Records in 1987 with the release of Swing Street. The album contained a mixture of traditional after-dark and techno jazz. It contained "Brooklyn Blues", an autobiographical song for Manilow, and "Hey Mambo" an uptempo Latin style duet with Kid Creole, produced with the help of Emilio Estefan, Jr., the husband of Miami Sound Machine lead singer Gloria Estefan. In March 1988, CBS aired Manilow's Big Fun on Swing Street special that featured songs and special guests from his Swing Street and 2:00 AM Paradise Cafe albums including Kid Creole and the Coconuts, Phyllis Hyman, Stanley Clarke, Carmen McRae, Tom Scott, Gerry Mulligan, Diane Schuur, Full Swing, and Uncle Festive a band within Manilow's band at the time. The special was nominated for two Emmys in categories of "Outstanding Lighting Direction (Electronic): For a Variety/Music or drama series, a miniseries or a special" and won in the category of "Outstanding Art Direction for a Variety or Music program". England also aired another NEC one-hour concert special Manilow did while on his Big Fun Tour de Force tour. In 1988 he performed "Please Don't Be Scared" and "Mandy/Could It Be Magic" at That's What Friends Are For: AIDS Concert '88, a benefit concert for the Warwick Foundation headed by Dionne Warwick and shown on Showtime a couple of years later. In the 1988 Walt Disney Pictures cartoon movie Oliver & Company Bette Midler's character sung a new Manilow composition called "Perfect Isn't Easy". The 1989 release of Barry Manilow, which contained "Please Don't Be Scared", "Keep Each Other Warm" and "The One That Got Away", ended Manilow's streak of albums of original self-written material. Except for two songs, the songs were neither written nor arranged by himself and was the beginning of a phase of his recording career consisting of covers and compilations. In 1989, Manilow put on a show named Barry Manilow at the Gershwin from April 18 to June 10, 1989 where he made 44 appearances. By coincidence, the Gershwin Theatre (formally called the Uris Theatre) was the same one where his first ABC television special was filmed. A bestselling 90 minute video of the same show was released the following year as Barry Manilow Live On Broadway. The Showtime one-hour special Barry Manilow SRO On Broadway consisted of edited highlights from this video. Manilow followed this set of shows with a sold out world tour of the Broadway show. In the 1990s, Manilow's album career changed significantly. His recordings switched from him being primarily a singer-songwriter to him being a cover artist. A trend that started with the 1989 release Barry Manilow, continued with his 1990 Christmas LP Because It's Christmas. Consequent "event" albums followed including: Showstoppers, a collection of Broadway songs (1991), Singin' with the Big Bands (1994) and a late 1970s collection Summer of '78 (1996) which included the Adult-Film hit "I Go Crazy", formerly a hit for Paul Davis in 1978. That single marked one of the few times he was on the charts that decade with his singles. The decade ended with Manilow recording a tribute to Frank Sinatra Manilow Sings Sinatra (1998) released months after Sinatra's death. In 1990, Japan aired National Eolia Special: Barry Manilow On Broadway where he sang the title song "Eolia", which was used as a song there in a commercial for an air conditioner company of the same name, as well as other songs from his 1989Ð1990 Live on Broadway tour. In the early 1990s, Manilow signed on with Don Bluth to compose the songs with lyricists Jack Feldman and Bruce Sussman for three animated films. He co-wrote the Broadway-style musical scores for Thumbelina (1994) and The Pebble and the Penguin (1995). The third film, entitled Rapunzel, was shelved after the poor performance of Pebble. Manilow was also to be cast as the voice of a cricket. But, it was replaced when he composed the score and wrote two songs with Bruce Sussman for Disney Sing Along Songs: Let's Go To The Circus, and that was the replacement for the shelved project. On February 19, 1992, Manilow testified before the Subcommittee on Intellectual Property and Judicial Administration House Committee in support of H.R. 3204 The Audio Home Recording Act of 1991. The bill was signed into law on October 28, 1992 by President George H. W. Bush. The Act, an historic compromise between the consumer electronics and music industries, became effective immediately. In 1993, PBS aired Barry Manilow: The Best of Me, taped at Wembley Arena in England that year, to fundraise. The BBC also played a one-hour version of the same show including "The Best of Me" sung during the concert, a bonus song or "lucky strike extra" as Manilow says, not seen in The Greatest Hits...and then some, the video release of the show. Manilow branched out in another direction and with longtime lyricist Bruce Sussman launched Copacabana, a musical play based on previous Manilow-related adaptations. They wrote new songs and it ran for two years on the London West End and a tour company formed. In December 1996, A&E aired Barry Manilow: Live By Request, the first of two Live By Requests he does. The broadcast was A&E's most successful music program, attracting an estimated 2.4 million viewers. The show was also simulcast on the radio. In March 1997, VH-1 aired Barry Manilow: The Summer of '78, a one-hour special of Manilow solo at the piano being interviewed and playing his greatest hits as well as songs from Summer of '78 his latest release at the time. In another collaboration between Manilow and Sussman they co-wrote the musical Harmony, which previewed October 7 to November 23, 1997 at the La Jolla Playhouse in La Jolla, California.[32] Later in 2003, Harmony was originally scheduled for a tryout run in Philadelphia before going to Broadway, but was cancelled after financial difficulties. After a legal battle with Mark Schwartz, the show's producer, Manilow and Sussman in 2005 won back the rights to the musical. It is currently unknown when the musical will reach Broadway. On October 23, 1999, NBC aired the two-hour special StarSkates Salute to Barry Manilow taped at the Mandalay Bay Hotel in Las Vegas, Nevada featuring numerous figure skaters performing to Manilow's music. Manilow also performed as well. In the beginning of the new century Manilow had two specials, Manilow Country and Manilow Live!, taped over two consecutive days at the Tennessee Performing Arts Center in Nashville, Tennessee. On April 11, 2000, The Nashville Network (TNN) aired the two-hour Manilow Country, which featured country stars Trisha Yearwood, Neal McCoy, Deana Carter, Jo Dee Messina, Lorrie Morgan, Kevin Sharp, Lila McCann, Gillian Welch and Jaci Velasquez singing their favorite Manilow hits with a "country" twist. Manilow performed as well. The special was TNN's first high definition broadcast and became one of TNN's highest rated concert specials. In June 2000, DirectTV aired the two-hour concert special Manilow Live! where Manilow had his band, a 30-piece orchestra, and a choir. This HDTV special documented his most recent concert tour with the greatest hits of his career and was released to video. In 2000 he also worked with Monica Mancini on her Concord album The Dreams of Johnny Mercer which included seven songs Manilow wrote to Mercer's lyrics. Meanwhile, Manilow's record contract with Arista Records was not renewed due to new management. He then got a contract at Concord Records, a jazz-oriented label in California, and started work on the long-anticipated concept album, Here at the Mayflower. The album was another eclectic mix of styles, almost entirely composed and produced by Manilow himself. Whilst at Concord Records, The Barry Manilow Scholarship was awarded for four consecutive years from 2002 to 2005 to the six highest-achieving students to reward excellence in the art and craft of lyric writing. The UCLA Extension course "Writing Lyrics That Succeed and Endure," taught by long time Manilow collaborator Marty Panzer and each student received three additional "master class" advanced sessions as well as a three-hour private, one-on-one session with Mr. Panzer. Scholarship recipients were selected by the instructor based on progress made within the course, lyric writing ability, and the instructor's assessment of real potential in the field of songwriting. In February 2002, Manilow's recording career bounced back into the charts when Arista released a greatest hits album Ultimate Manilow. On May 18, 2002, Manilow returned to CBS with Ultimate Manilow his first special at the network since his 1988 Big Fun on Swing Street special. The special was filmed in the Kodak Theatre in Hollywood, California and was nominated for an Emmy in the category of "Outstanding Music Direction". Produced by Manilow, Bette Midler Sings the Rosemary Clooney Songbook was first released on September 30, 2003. It was the first time that Bette Midler had worked with Barry in more than twenty years. Instantly successful, the album went gold and they worked together again on a 2005 follow-up album entitled Bette Midler Sings the Peggy Lee Songbook. On December 3, 2003, A&E aired A Barry Manilow Christmas: Live by Request, his second of two concerts for the series. The two-hour special had Manilow taking requests for Christmas songs performed live with a band and an orchestra. Also on the special were guests Cyndi Lauper, Jose Feliciano, and Bette Midler. 2004 saw the release of two albums. These were, consecutively, a live album, 2 Nights Live! (BMG Strategic Marketing Group, 2004), and Scores: Songs from Copacabana & Harmony, an album of Manilow singing his musicals songs were both released in 2004. Scores was the last of Manilow's creative project with the Concord label. During his third appearance on The Oprah Winfrey Show on September 15, 2004, Winfrey announced that Manilow is one of the most requested guests of all time on her show. On the show he promoted his One Night Live! One Last Time! tour explaining it wouldn't be his last performance, but the last one where he tours six months on the road with trucks and buses, but he will still come to the big cities. On his final tour he played at sold out venues in 22 cities in which he performed for 250,000 fans and promoted his then latest album. It was around this time period where Manilow appeared for the first time on the mainstream FOX program American Idol in which his back-up singer, Debra Byrd, doubles as voice coach on the series. It was also during this period that several in the media felt the meteoric rise of Idol runner-up Clay Aiken and the constant comparisons of him to Manilow caused the revitalization of Manilow's career in the mainstream with a lot of younger music listeners learning of Manilow by way of the comparisons of Clay Aiken to him. Manilow appeared on Aiken's TV special, A Clay Aiken Christmas. It was reported that Manilow often introduced himself to younger audiences as an older Clay Aiken. Typically introducing himself like this: 'I'm Barry Manilow...this is what Clay Aiken will look like in 30 years'. Las Vegas Hilton executives in a press conference with Manilow on December 14, 2004 announced his signing to a long-term engagement as the house show. In March 2006, Manilow's engagement was extended through 2008. Manilow returned to Arista Records under the guidance of Davis for a new album of cover versions released on January 31, 2006 called The Greatest Songs of the Fifties. Manilow said he was blown away with the idea, which Davis presented to him when he visited his Las Vegas show. "When he suggested this idea to me, I slapped my forehead and said, 'Why hasn't anyone thought of this idea?'" Manilow said. "But of course there is only one Clive Davis. I feel honored and terribly fortunate to be working with him again after all these years. It's like coming home." The album included classic songs from that decade, like "Are You Lonesome Tonight?" and "Unchained Melody". It was an unexpected hit, debuting at number one in the Billboard 200, marking the first time a Manilow album debuted at the top of the album chart as well as the first time a Manilow album has reached number one in 29 years. It was eventually certified Platinum in the U.S., and sold over three million copies worldwide. In March 2006, PBS aired Barry Manilow: Music and Passion, a Hilton concert taped exclusively for the network's fundraising drive. Manilow was nominated for two Emmys, winning for "Outstanding Individual Performance in a Variety or Music Program". A sequel album to his best-selling fifties tribute album, The Greatest Songs of the Sixties was released on October 31, 2006 including songs such as "And I Love Her" and "Can't Help Falling in Love". It nearly repeated the success of its predecesor, debuting at #2 in the Billboard 200. In January 2007, Manilow returned to his hometown of New York City for three shows at Madison Square Garden. One highlight was the showing onscreen of Manilow performing in one of his first television appearances while the "live" Manilow played along onstage. In July 2007, it was revealed that Manilow will release a CD spotlighting the decade he became a super-star: the 1970s. The Greatest Songs of the Seventies is set to be released September 18, 2007.

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