Harry Chapin - Cats In The Cradle 1974

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My child arrived just the other day, He came to the world in the usual way. But there were planes to catch, and bills to pay. He learned to walk while I was away. And he was talking 'fore I knew it, and as he grew, He'd say, "I'm gonna be like you, dad. You know I'm gonna be like you." And the cat's in the cradle and the silver spoon, Little boy blue and the man in the moon. "When you coming home, dad?" "I don't know when, But we'll get together then. You know we'll have a good time then." My son turned ten just the other day. He said, "Thanks for the ball, dad, come on let's play. Can you teach me to throw?" I said, "Not today, I got a lot to do." He said, "That's ok." And he walked away, but his smile, lemme tell you, Said, "I'm gonna be like him, yeah. You know I'm gonna be like him." And the cat's in the cradle and the silver spoon, Little boy blue and the man in the moon. "When you coming home, dad?" "I don't know when, But we'll get together then. You know we'll have a good time then." Well, he came from college just the other day, So much like a man I just had to say, "Son, I'm proud of you. Can you sit for a while?" He shook his head, and he said with a smile, "What I'd really like, dad, is to borrow the car keys. See you later. Can I have them please?" And the cat's in the cradle and the silver spoon, Little boy blue and the man in the moon. "When you coming home, son?" "I don't know when, But we'll get together then, dad. You know we'll have a good time then." I've long since retired and my son's moved away. I called him up just the other day. I said, "I'd like to see you if you don't mind." He said, "I'd love to, dad, if I could find the time. You see, my new job's a hassle, and the kid's got the flu, But it's sure nice talking to you, dad. It's been sure nice talking to you." And as I hung up the phone, it occurred to me, He'd grown up just like me. My boy was just like me. And the cat's in the cradle and the silver spoon, Little boy blue and the man in the moon. "When you coming home, son?" "I don't know when, But we'll get together then, dad. You know we'll have a good time then."

Brief biography courtesy of Wikipedia
Harry Forster Chapin (December 7, 1942 Ð July 16, 1981) was an American singer, songwriter, and humanitarian. He originally intended to be a documentary film-maker, and directed Legendary Champions in 1968, which was nominated for a documentary Academy Award. In 1971, he decided to focus on music. With Big John Wallace, Tim Scott and Ron Palmer, Chapin started playing in various local nightclubs in New York City. Chapin was the second of four children born to Jim and Elspeth Chapin. His parents divorced by 1950, with Elspeth keeping custody of their four sons, as Jim spent much of his life on the road as a drummer for Big Band era acts such as Woody Herman. She married film magazine editor Henry Hart a few years later. Chapin graduated from Brooklyn Technical High School in 1960, and was among the five inductees in the school's Alumni Hall Of Fame for the year 2000. He briefly attended the United States Air Force Academy and was then an intermittent student at Cornell University. He did not complete a degree. Following an unsuccessful early album made with his brothers, Tom and Steve, Chapin's debut album was Heads and Tales (1972, #60), which was a success thanks to the single "Taxi" (#24). However, Chapin's recording future became somewhat of a controversy between two powerful record companies headed by two very powerful men, Jac Holzman of Elektra Records and Clive Davis of Columbia. According to Chapin's biography Taxi: The Harry Chapin Story by Peter M. Coan, Chapin had agreed in principle to sign with Elektra Records on the basis that he wanted a smaller record label that would give more personal attention to his work. However, Clive Davis remained undaunted, doubling almost every cash advance offer Chapin received from Holzman. Despite a cordial relationship with Holzman, Davis had a long history of besting Holzman over the years to particular artists, but this was one time that he did not prevail. Chapin ultimately signed with Elektra for a smaller advance, but with provisions that made it worth the move. The biggest stipulation in the nine-album deal was that he receive free studio time, meaning he paid no recording costs. It was a move that would ultimately save Chapin hundreds of thousands of dollars over the term of his contract. "This was completely unheard of," said Davis in the Coan book. "There was no such thing as free studio time." Chapin's follow-up album, Sniper and Other Love Songs (1972, #160), was less successful despite containing the Chapin anthem "Circle" (a big European hit for The New Seekers). His third album, Short Stories (1974, #61), was a major success. Verities & Balderdash (1974, #4), released soon after, was even more successful, bolstered by the chart-topping hit single "Cat's in the Cradle", based upon a poem by his wife. Sandy Chapin had written the song inspired by her husband's life on the road, and her raising her children alone. "Cat's in the Cradle" was Chapin's only number one hit, shooting album sales skyward and making him a millionaire. He also wrote and performed a Broadway musical The Night That Made America Famous. Additionally, Chapin wrote the music and lyrics for Cotton Patch Gospel, a musical by Tom Key based on Clarence Jordan's book The Cotton Patch Version of Matthew and John. The original cast soundtrack was produced by Tom Chapin, and released in 1982 by Chapin Productions. Chapin's only UK hit was "W*O*L*D", which reached #34 in 1974. His popularity in the UK owed much to the championing of BBC disc jockey Noel Edmonds. The song's success in the U.S. was mostly the result of disc jockeys playing it for themselves. Chapin's recording of "The Shortest Story", a song he wrote about a dying child and featured in his 1976 live/studio album Greatest Stories Live, was named by author Tom Reynolds in his book I Hate Myself and Want to Die as the second most depressing song of all time (just behind "The Christmas Shoes"). By the end of the decade, Chapin's contract with Elektra (which had since merged with Asylum Records under the control of David Geffen) had run its course, and the company made no offer to renew it. A minor deal with Casablanca fell through, and Chapin settled on a simple one-album deal with Boardwalk Records. The Boardwalk album, though no one knew it at the time, would be his final work. The title track of his last album, Sequel, was a follow up to his earlier song "Taxi" that reunited the same characters ten years later. The songs Chapin was working on at the time of his death were subsequently released as the thematic album The Last Protest Singer. Chapin was married to Sandy Chapin, a New York socialite eight years his senior. The story of their meeting and romance is told in his song "I Wanna Learn a Love Song". He fathered two children with her, Jennifer and Joshua, and was stepfather to her three children by a previous marriage. In addition to supporting numerous charities and performing at fund raisers, Chapin returned to the United States Air Force Academy to play for the Cadet Wing. His performance was laced with humorous stories of his short stint there. In the mid-1970s, Chapin focused on his social activism, including raising money to combat hunger in the United States. His daughter Jen said: "He saw hunger and poverty as an insult to America"[1]. He co-founded the organization World Hunger Year with legendary radio DJ Bill Ayres, before returning to music with On the Road to Kingdom Come. He also released a book of poetry, Looking...Seeing, in 1977. Many of Chapin's concerts were benefit performances (for example, a concert to help save the Landmark Theatre in Syracuse, New York), and sales of his concert merchandise were used to support World Hunger Year. Chapin's social causes at times caused friction among his band members and manager Fred Kewley. Chapin donated an estimated third of his paid concerts to charitable causes, often performing alone with his guitar to reduce costs. One report quotes his widow saying soon after his death - "only with slight exaggeration" - that "Harry was supporting 17 relatives, 14 associations, seven foundations and 82 charities. Harry wasn't interested in saving money. He always said, 'Money is for people,' so he gave it away." Despite his success as a musician, he left little money and it was difficult to maintain the causes for which he raised more than $3 million in the last six years of his life. The Harry Chapin Foundation was the result. On Thursday, July 16, 1981, just after noon, Chapin was driving on the Long Island Expressway, in the left hand fast lane, at about 65 miles an hour. For some reason, either because of engine failure or some physical problem (thought to be a possible heart attack) he put on his emergency flashers near Exit 40 in Jericho, NY. He then slowed to about 15 miles an hour and veered into the center lane nearly colliding with another car. He swerved back left, then back right again and this time went directly in front of a tractor-trailer truck. The truck could not brake in time and rammed the rear of Harry's blue 1975 Volkswagen Rabbit, rupturing the gas tank and causing it to burst into flames. The driver of the truck, and another passer-by were able to get Harry out of the burning car through the window and by cutting the seatbelts, before the car was completely engulfed. He was taken by police helicopter to the hospital where ten doctors tried for 30 minutes to revive him. A spokesman for the Nassau County Medical Center said Chapin had suffered a heart attack and "died of cardiac arrest" but there was no way of knowing whether it occurred before or after the accident. In an interview years after his death, Chapin's daughter said "My dad didn't really sleep, and he ate badly and had a totally insane schedule." Even though Harry's driver's license had been revoked at the time of the accident, for a long string of traffic violations, his wife Sandy did win a $12 million decision in a negligence lawsuit against the truck's owners. Chapin was interred in the Huntington Rural Cemetery, Huntington, New York. His epitaph is taken from his song "I Wonder What Would Happen to this World." It is: Oh if a man tried To take his time on Earth And prove before he died What one man's life could be worth I wonder what would happen to this world On December 7, 1987, Harry Chapin was posthumously awarded the Congressional Gold Medal for his campaigning on social issues, particularly his highlighting of hunger around the world and in the United States. His work on hunger included being widely recognized as a key player in the creation of the Presidential Commission on World Hunger in 1977. A biography of Chapin entitled Taxi: The Harry Chapin Story, by Peter M. Coan, was released following his death. Although Chapin had co-operated with the writer, following his death the family withdrew their support. There is some debate about the accuracy of the details included in the book. Despite seeming social and political differences with Chapin, Dr. James Dobson often quotes the entirety of "Cat's In The Cradle" to illustrate dynamics of contemporary American families. "Cat's In The Cradle" was also re-recorded by hard rock group Ugly Kid Joe in 1992 and once again topped the charts. A country version was also recorded by Ricky Skaggs in 1995. It was sampled by Canadian singer Sarah McLachlan, and subsequently by Darryl McDaniels of Run DMC in 2006 after the rapper's discovery that he was adopted in infancy. His song "Cat's in the Cradle" was used in an episode of The Simpsons and was featured in Shrek The Third. Harry Chapin was inducted into the Long Island Music Hall of Fame on October 15, 2006. The rock band M.O.D. wrote an irreverent song about Harry Chapin's death called "Ode To Harry". Hector released a Finnish-language cover version of his song "Six String Orchestra". The cover can be heard under the name "Monofilharmoonikko" as the sixth track of the 1977 album H.E.C.; it was released as a single as well. A graduate student apartment complex is named after Chapin. (Harry Chapin Apartments) at Stony Brook University in Long Island, NY. Chapin often remarked that he came from an artistic family. His father Jim Chapin and brothers Tom Chapin and Steve Chapin are also musicians, as are his daughter, Jen Chapin, and two of his nieces (see the Chapin Sisters). His paternal grandfather was an artist who illustrated Robert Frost's first two books of poetry; his maternal grandfather was the philosopher Kenneth Burke. Notable musicians in their own right, Tom and Steve Chapin sometimes performed with Harry throughout his career, as is especially evident on the live albums Greatest Stories Live and Legends of the Lost and Found. Chapin's family members and other longtime bandmates have continued to perform together from time to time in the decades since his death.

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